Ashley Whitehead and Natalie Tin Yin Gan have been working together since 2012. Their history as friends and artists is apparent in their dynamic on stage. They easily take cues from each other and play perfectly off of one and others skills and talents, making use of their vastly different body shapes and sizes.
The show is part musical, part dance performance, part stand-up, and all heart. These two women sweat on every inch of the stage and cleverly use various lighting techniques to create different settings and moods. Making sure to use inclusive language and calling out misogyny and general ignorance in a quirky, kind, and humorous way make this show a must watch for anyone who is pro vaginas. While they have your attention, these two might just teach you a thing or two.
There is a bit of audience participation. You may find yourself getting quizzed on some anatomy questions and clapping along to some old familiar tunes, but mostly your laughter and enthusiasm seems to be what fuels the artists. For all of the extreme physicality of the show, the best part of their performance was the their facial expressions. Every twitch of the eyebrow is well planned to elicit laughter and groans.
Speaking with the artists after the show, Whitehead and Tin Yin Gan shared that the show has been changing and evolving with each city. They warmly invited audience members to get online and share their thoughts and suggestions. This audience member feels like they have perfected so much of the show, but would have preferred to end with the running scene and bumped the final musical number somewhere in the middle, but I’m a sucker for symmetry.
I personally believe that this show should be sold out for every performance. It is clever, entertaining, charming, hilarious, and generally wonderful. Through a combination of clowning, athletics, musical talent, and acting, these two performers have managed to tackle a taboo subject and make it inviting and fun.
~ reviewed by Brieanna Fiander
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